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If one were to take a look at the current spate of zombie films and books, three things pop up: the zombies themselves are the results of either mutation, viral infection, or other-worldly possession. It’s the mutation and infection one routinely sees in either Romero’s films, or in the Resident Evil movies. As for other worldly possession, that seems to come almost exclusively, these days, in Brian Keene’s three best selling zombie books, The Rising, City of the Dead, and Dead Sea. There is, however, a much older tradition, one that predates Night of Living Dead. Zombies used to be province of voodoo films, where outsiders and/or tourists come accidentally traipse into a mess of indigeneous culture.

That’s certainly the case with All Souls Day. Basically, the director, writer, and producers of the movie sought to buck the current zombie trend and harken back to the sort of film Lugosi made with White Zombie. The resulting story places an American couple driving through Mexico. They end up in a desolate little town, and unbeknowst to them, they interrupted a human sacrifice. All Souls Day, a post-halloween holiday in Mexico, is a day where the dead routinely rise. But do they only savagely want to eat people? Or is the issue more complicated?

I’m not going to go there, at this moment. Basically, the acting is so-so. The characterization strikes one as a little trite, and the story, with it’s shocking twists and turns, is workable. In short, All Souls Day is a mediocre film, but it’s one that’s not a bore to watch, at least.

–Rich Ristow

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